Rotoscoping&MotionTracking

Rotoscoping & Motion Tracking is what separates footage from film. Whether it's a colour grade that finally makes skin tones read right, sound design that stops the ear from noticing the room noise, or the final polish pass on a piece heading to broadcast — rotoscoping & motion tracking is craft work that takes an editor who's done it a thousand times. We handle rotoscoping & motion tracking for production companies, agencies and independent filmmakers on 3-7 days turnarounds, delivering graded masters, LUTs, stems or matte assets alongside the project files.

Rotoscoping & Motion Tracking work isn't a filter. Skin tones get qualified before curves get touched. Audio gets treated per-source before it gets mixed to a single bed. VFX shots get roto'd properly instead of masked crudely. It's the unglamorous work that decides whether a piece looks $50k or $500k.

Every rotoscoping & motion tracking delivery includes a QC pass across multiple monitors and reference audio setups. Colour that looks right on the editor's OLED but pinks out on a mid-range laptop screen isn't finished work. Audio that hits on studio monitors but distorts through a phone speaker isn't finished work. We check both before you see the file.

Finishing is the last 5% of a project that decides whether the audience remembers it. Nobody notices great finishing. Everybody notices bad finishing. Ours is the kind you don't notice.